BLUE LIPS

I admire my friend the artist Wim van Willegen. His sculptures of fragile leaves seem to float in space and sex you up in a casual way. Here you have a series of three lip-like leaf sculptures. 'Blue Lips'? The leaves could be very well derived from the genus Nymphaea, Lotus or Waterlily.
One of the three sculptures (wood, carved, and paint brushed to perfection) is slightly higher and provides the extra counterpoint in the composition.

WOOD LORE

The potent healing powers of a Gingko leaf in rust speckled steel - by Wim van Willegen

The fall of a leaf is a whisper to the living
I harbor this silent but ongoing admiration for my friend the artist Wim van Willegen. His steel sculptures incorporate the cut-out silhouettes of fragile leaves captured as negatives of nature with such potent positive energy. I blogged earlier on this small but significant collection of sculptures and I do so again. His last name suggests that he is of 'the willow-family', but his work just as readily sports leaves and branches and trunks taken from the broader family of deciduous trees. Always with such a delicate attention to detail, yet with a trained eye for what makes sculpture stand out.

An elegant popular leaf like a knife standing in solid steel - by Wim van Willegen

MERCY TIMES SIX

My friend the artist Wim van Willegen was asked to design an object incorporating the original six Corporal Works of Mercy as teached by Christ. ‘The Parable of the Sheep and the Goats’ (Matthew 25:31-46) enumerates such acts as the reason for the salvation of the saved. Today there is a seventh work of mercy (‘bury the dead’) added from the Book of Tobit by Pope Innocentius III (1198-1216) in the year 1207.

The artist used the engraved six works of mercy to clad the iconic shape of a house.
1. Feed the hungry
2. Give drink to the thirsty
3. Clothe the naked
4. Shelter the homeless
5. Visit the sick
6. Visit the imprisoned

The house of course represents the home of the Lord. It casts a shadow that is longer than the house itself. The artist chose to maintain the shadow of the house in his final design. All was made of wood. The house was made of Cocobolo (Dalberga retusa) and the shadow was carved from steamed Pear (Pyrus Communis). Thus the shadow remains a lighter shade than the house itself.
Five exact copies of the wooden sculpture were made in commission for the Foundation of Protestant Welfare Work in Rotterdam, the Netherlands. To be given to a select group of people who in their life have excelled in merciful acts. HOUSE OF MERCY by Wim van Willegen